1980's Kawai M-1000 Moonsault

I don't own this guitar, but I've written about the Moonsault a few times in other postings so I thought I'd include some information and pictures of one.

The MoonSault became one of the most popular models in Japan marketed by Kawai. As far as I know, no significant attempt was ever made to market MoonSaults in the U.S. It's one of the more unique guitar shapes ever created! This is the ULTIMATE ART GUITAR and from its introduction the MOONSAULT became a benchmark for guitar styling. Once you see one, you never forget it and they play great too.

Many MoonSault models were produced after 1975. The MS-700 was produced from December of 1982 through April 1983. The tell-tale blue/silver burst finish clearly dates it to that time. This was when Gibson and other companies were producing similar metallic sunburst guitars.

This is a great-playing, comfortable guitar, extremely well-made, with premium materials. Standing, it gives you a great image, and if you like to play sitting down, the moon shape cradles nicely in your lap. Like many other Japanese guitars of this time, the electronics are designed to give you a great deal of tonal flexibility. The guitar has a master volume with individual tone controls for each pickup. Each tone pot is push/pull, yielding coil tapping on one and phase reversal on the other. The wide fine-tune bridge was very popular in the early 1980's, and provides easy, stable intonation.

The rage for silverburst guitars was pretty short-lived, lasting only a few years at best, and this MS-700 was soon replaced by other MoonSault models. Sales of MoonSaults, however, were brisk enough to keep the model in production through the 1990s. At the end of the run there was even a clear plexiglass tribute model. By the late 1980's, the dollar/yen conversion rate was so unfavorable that Japanese companies could not afford to export to the U.S. and the age of Korean guitars began. High-end guitarmakers continued to produce guitars in Japan, but for the most part they are for domestic consumption only while budget guitars hailed from Korea, China, or elsewhere.

How many MoonSaults were made is unknown. Because they weren't marketed in the U.S. export numbers would be small. If the few that show up on the market are any guide, they're rare.

ABOUT THE INSTRUMENT PICTURED:

As best I can determine, this guitar was made in 1982/1983 (making it one of the originals.

MODEL: MS-1000, MLY (Moon Light Yellow).

BODY: Solid mahogany painted in “yellow burst” finish.

BODY SHAPE: CRESCENT MOON

BODY FINISH: Has poly finish with few scratches, wear spots, and some broken finish marks and cracks which give it pure character. There is slight damage at the top of the body that seems to have come from the guitar hitting something.

NECK: Set one piece mahogany neck. There is a slight crack near the HEADSTOCK which has been professionally repaired.

FRETBOARD: The fretboard is made of Indian rosewood and is well dressed with jumbo frets that are well honed. It has 22 Frets with a Scale of 24 ¾”. Beautiful moonphase Mother of Pearl inlays.

HEADSTOCK: The heatstock is bound and has wonderful celestial mother of pearl inlays (the cresent moon inlay matches the body).

TUNERS: Grover 102N

BRIDGE: “Leo Quan badass” (Made in Germany)

PICKUPS: Two (2) original "Aluminum shielded Kawai DSU humbuckers”

CONTROLS/SWITCHES: Three knobs, one 3 way, and 4 other switches.

PICKGUARD: Crystal

BODY INLAY: Beautiful inlaid binding on top of the body.

1960's Audition (Kawai or Teisco) 2 Pickup Electric

This is a 2nd unknown Audition model 2 pickup Electric Guitar from the 1960's with 2 goldfoil pickups. The first one I posted had a roller type of bridge and this one has a solid plastic type of bridge. The prize on this guitar is the goldfoil pickups and I've already used them for another project. Audition guitars were distributed in the US and UK by the Woolworth chain. Many of the ones I've seen have the goldfoil pickups just like this one has. It's most likely that this guitar was built by Kawai seeing as how the quality appears to be higher than that seen in a typical Teisco.

Kawai was founded in 1927 by Koichi Kawai in Hamamatsu, Japan. Mr. Kawai's vision was to create top-quality pianos, a quest in which he certainly succeeded! Kawai added guitars to its line around 1954 and eventually became a player in the 1960s Guitar Boom. Like many Japanese electric guitars, most early Kawai guitars were slightly frumpy, although the impression is that their electronics were a little better than most. Often accused of supplying more flash than substance, there are Kawai guitars that are of high quality, playability and design.

Probably the most prominent brand names in the U.S. manufactured by Kawai were TeleStar, whose sparkle models have a small but devoted following, Kimberly, and Domino. Kawai also built guitars for Saint Lous music in the 1960's and 1970's under their brand name Apollo.

In January of 1967 Kawai purchased the Teisco guitar company, but they appear to have operated the two companies pretty much separately. Both lines featured exclusive designs and different pickups. Teisco continued the vector of evolution it had taken, ending up with the Spectrums and finally the mini-Strats, before become the Kay brand in the U.S.

In 1968 both Kawai and Teisco freaked out. Kawai produced models such as the axe-shaped Concert, plus a variety of unusual VS violin-bodied guitars (including one with 16 strings and its own pickup mounted parallel to the strings, whether sympathetic or strummed, who knows?), the Splender, shaped like a banjo, and another model shaped like a sitar. For Teisco, 1968 was the year that gave us the famous artist-palette-shaped May Queen, wildly flared, asymmetrical Fire Bird, and long-horn Phantom. One other company, Firstman (unrelated to Kawai), produced a model similar to the Concert called the Liverpool.











One of my blog readers sent me these two pictures of what we believe to be the rare Splender model (Thanks James!)

This guitar will be sold on ebay soon. Check my about me page for the ebay listing.

1970's Japanese Ranger Electric with Goldfoil pickup

I acquired this guitar in July 2009 and it is a unknown Ranger model single pickup Electric Guitar from the 1970's I believe. The guitar is in nice condition and all original as far as I can tell except for the missing nut. Nice straight neck with a huge headstock that is seen on many guitars from the 1960's and 1970's. It reminds me a lot of the Telestar guitars from the 1960's which were made by Kawai. The great thing about this guitar is the goldfoil pickup which were found on some of the 1960's and 1970's Japanese guitars. I have also come across another almost identical model that was labeled Crestline but I'm sure they were made in the same Japanese factory.








Crestline guitars were built in Japan from the mid to late 1970s and distributed by the Grossman Music Corporation of Cleveland, OH. They are entry level to intermediate solid body guitars featured designs based on classic American favorites. Crestline offered a wide range of stringed instruments, including classical, folk, dreadnought, and twelve-string acoustics; solid body electric guitars and basses; amplifiers; banjos, mandolins, and ukuleles. Considering the amount of instruments available, the Crestline trademark was probably used on guitars built by one of the bigger Japanese guitar producers and rebranded for the U.S. market. One model reviewed at a vintage guitar show was based on Gibson's Les Paul design, and had Grover tuners, two Japanese covered humbuckers, and decent wood.

1960's TeleStar Kawai Single Pickup Guitar

It is a unknown Telestar model single pickup Electric Guitar from the 1960's. The guitar is in great condition and all original as far as I can tell. Nice straight neck with a huge headstock that is seen on many guitars from the 1960's.



Kawai was founded in 1927 by Koichi Kawai in Hamamatsu, Japan. Mr. Kawai's vision was to create top-quality pianos, a quest in which he certainly succeeded! Kawai added guitars to its line around 1954 and eventually became a player in the 1960s Guitar Boom. Like many Japanese electric guitars, most early Kawai guitars were slightly frumpy, although the impression is that their electronics were a little better than most. Often accused of supplying more flash than substance, there are Kawai guitars that are of high quality, playability and design.



Probably the most prominent brand names in the U.S. manufactured by Kawai were TeleStar, whose sparkle models have a small but devoted following, Kimberly, and Domino. Kawai also built guitars for Saint Lous music in the 1960's and 1970's under their brand name Apollo.

In January of 1967 Kawai purchased the Teisco guitar company, but they appear to have operated the two companies pretty much separately. Both lines featured exclusive designs and different pickups. Teisco continued the vector of evolution it had taken, ending up with the Spectrums and finally the mini-Strats, before become the Kay brand in the U.S.

In 1968 both Kawai and Teisco freaked out. Kawai produced models such as the axe-shaped Concert, plus a variety of unusual VS violin-bodied guitars (including one with 16 strings and its own pickup mounted parallel to the strings, whether sympathetic or strummed, who knows?), the Splender, shaped like a banjo, and another model shaped like a sitar. For Teisco, 1968 was the year that gave us the famous artist-palette-shaped May Queen, wildly flared, asymmetrical Fire Bird, and long-horn Phantom. One other company, Firstman (unrelated to Kawai), produced a model similar to the Concert called the Liverpool.

One of my blog readers sent me these two pictures of what we believe to be the rare Splender model (Thanks James!)

This guitar will be sold on ebay soon. Check my about me page for the ebay listing.

1960's Kawai Teisco Guitar Body with Goldfoil Pickups

I belive this is a Kawai built Telestar or Kimberly guitar from the 1960's but since the neck is missint I can't confirm the manufacturer. It is surely a Japanese built guitar from the 1960's based on other clues such as the goldfoil pickups that were so common back then. Other than some chrome loss and the missing bridge it complete.



The Teisco brand name stands for 'Tokyo Electric Instrument and Sound Company'. Teisco was founded in 1946 by renowned Hawaiian and Spanish guitarist Atswo Kaneko, and electrical engineer Doryu Matsuda. Teisco guitars sold in the United States were badged "Teisco Del Rey" beginning in 1964. Teisco guitars were also imported in the U.S. under several brand names including Silvertone, Jedson, Kent, Kingston, Kimberly, Tulio, Heit Deluxe and World Teisco. While guitars manufactured by Teisco were ubiquitous in their day, they are now very collectable.



Kawai was founded in 1927 by Koichi Kawai in Hamamatsu, Japan. Mr. Kawai's vision was to create top-quality pianos, a quest in which he certainly succeeded! Kawai added guitars to its line around 1954 and eventually became a player in the 1960s Guitar Boom. Like many Japanese electric guitars, most early Kawai guitars were slightly frumpy, although the impression is that their electronics were a little better than most. Often accused of supplying more flash than substance, there are Kawai guitars that are of high quality, playability and design.



Probably the most prominent brand names in the U.S. manufactured by Kawai were TeleStar, whose sparkle models have a small but devoted following, Kimberly, and Domino. Kawai also built guitars for Saint Lous music in the 1960's and 1970's under their brand name Apollo.



In January of 1967 Kawai purchased the Teisco guitar company, but they appear to have operated the two companies pretty much separately. Both lines featured exclusive designs and different pickups. Teisco continued the vector of evolution it had taken, ending up with the Spectrums and finally the mini-Strats, before become the Kay brand in the U.S.



In 1968 both Kawai and Teisco freaked out. Kawai produced models such as the axe-shaped Concert, plus a variety of unusual VS violin-bodied guitars (including one with 16 strings and its own pickup mounted parallel to the strings, whether sympathetic or strummed, who knows?), the Splender, shaped like a banjo, and another model shaped like a sitar. For Teisco, 1968 was the year that gave us the famous artist-palette-shaped May Queen, wildly flared, asymmetrical Fire Bird, and long-horn Phantom. One other company, Firstman (unrelated to Kawai), produced a model similar to the Concert called the Liverpool.

One of my blog readers sent me these two pictures of what we believe to be the rare Splender model (Thanks James!)

This guitar will be sold on ebay soon. Check my about me page for the ebay listing.

1960's Audition (Kawai or Teisco) 2 Pickup Electric

It is a unknown Audition model 2 pickup Electric Guitar from the 1960's with 2 goldfoil pickups. The prize on this guitar is the goldfoil pickups and I've already used them for another project. Audition guitars were distributed in the US and UK by the Woolworth chain. Many of the ones I've seen have the goldfoil pickups just like this one has. It's most likely that this guitar was built by Kawai seeing as how the quality appears to be higher than that seen in a typical Teisco.

Kawai was founded in 1927 by Koichi Kawai in Hamamatsu, Japan. Mr. Kawai's vision was to create top-quality pianos, a quest in which he certainly succeeded! Kawai added guitars to its line around 1954 and eventually became a player in the 1960s Guitar Boom. Like many Japanese electric guitars, most early Kawai guitars were slightly frumpy, although the impression is that their electronics were a little better than most. Often accused of supplying more flash than substance, there are Kawai guitars that are of high quality, playability and design.

Probably the most prominent brand names in the U.S. manufactured by Kawai were TeleStar, whose sparkle models have a small but devoted following, Kimberly, and Domino. Kawai also built guitars for Saint Lous music in the 1960's and 1970's under their brand name Apollo.

In January of 1967 Kawai purchased the Teisco guitar company, but they appear to have operated the two companies pretty much separately. Both lines featured exclusive designs and different pickups. Teisco continued the vector of evolution it had taken, ending up with the Spectrums and finally the mini-Strats, before become the Kay brand in the U.S.

In 1968 both Kawai and Teisco freaked out. Kawai produced models such as the axe-shaped Concert, plus a variety of unusual VS violin-bodied guitars (including one with 16 strings and its own pickup mounted parallel to the strings, whether sympathetic or strummed, who knows?), the Splender, shaped like a banjo, and another model shaped like a sitar. For Teisco, 1968 was the year that gave us the famous artist-palette-shaped May Queen, wildly flared, asymmetrical Fire Bird, and long-horn Phantom. One other company, Firstman (unrelated to Kawai), produced a model similar to the Concert called the Liverpool.















One of my blog readers sent me these two pictures of what we believe to be the rare Splender model (Thanks James!)

This guitar will be sold on ebay soon. Check my about me page for the ebay listing.

1960's Kimberly (Kawai) 2 Pickup Electric

I acquired this guitar in the fall of 2008 and it has a market value of $115. It's a Kimberly 2 pickup Electric Guitar from the 1960's and there's no model number to be found on it anywhere. The prize on this guitar is the goldfoil pickups and I've already used them for another project.

Kawai was founded in 1927 by Koichi Kawai in Hamamatsu, Japan. Mr. Kawai's vision was to create top-quality pianos, a quest in which he certainly succeeded! Kawai added guitars to its line around 1954 and eventually became a player in the 1960s Guitar Boom. Like many Japanese electric guitars, most early Kawai guitars were slightly frumpy, although the impression is that their electronics were a little better than most. Often accused of supplying more flash than substance, there are Kawai guitars that are of high quality, playability and design.

Probably the most prominent brand names in the U.S. manufactured by Kawai were TeleStar, whose sparkle models have a small but devoted following, Kimberly, and Domino. Kawai also built guitars for Saint Lous music in the 1960's and 1970's under their brand name Apollo.

In January of 1967 Kawai purchased the Teisco guitar company, but they appear to have operated the two companies pretty much separately. Both lines featured exclusive designs and different pickups. Teisco continued the vector of evolution it had taken, ending up with the Spectrums and finally the mini-Strats, before become the Kay brand in the U.S.

In 1968 both Kawai and Teisco freaked out. Kawai produced models such as the axe-shaped Concert, plus a variety of unusual VS violin-bodied guitars (including one with 16 strings and its own pickup mounted parallel to the strings, whether sympathetic or strummed, who knows?), the Splender, shaped like a banjo, and another model shaped like a sitar. For Teisco, 1968 was the year that gave us the famous artist-palette-shaped May Queen, wildly flared, asymmetrical Fire Bird, and long-horn Phantom. One other company, Firstman (unrelated to Kawai), produced a model similar to the Concert called the Liverpool.